Stark700

Among the many stars in the sky, there's always one that shines brilliantly. But from this summer 2013 lineup, there's also series that shines among the group as well. Perhaps one series that might of slipped under some people's radar is Uchoten Kazoku. (also known as the Eccentric Family) From P.A. Works comes forth a new anime this summer. Based on a novel written by Tomihiko Morimi (The Tatemi Galaxy), Uchoten Kazoku takes the setting to Kyoto with an eccentric family. Why is the family eccentric? Perhaps one of the reason is that none of them are not actually human. Rather, they are unique or morespecifically categorized as tanuki. The series details the family, and in particular one child by the name of Yasaburō Shimogamo - the main character and the third son of the Shimogamo. To start off, the setting of the show takes place in Kyoto. As such, expect an old fashioned and traditional city in a modern life setting. There's the Japanese like atmosphere but combines that with elements of fantasy. That's because the characters of the show are tanuki; Japanese raccoon dog beings native to Japan. But in this story, we have this child named Yasaburo Shimogamo who stars as the main character. He has the ability to shape-shift and plays on a gender bender role in the some of the episodes. Even when we first meet him, he is in the clothes and body of a girl. Oddly enough, Yasaburo plays the role of an ordinary boy with abnormal powers. We also find out that exactly how he lives his daily lives ranging from observing human behavior, engaging in extended conversations with others, and even to warming his butt. Now, that is abnormal. It's hard to be original these days in the anime industry. Many ideas have been explored but I find this show to be quite refreshing. It takes the Kyoto setting and transform it into an urban fantasy without violence, shounen battles, or a guy being the hero to save the day. Rather, we have dynamic character relationships with the eccentric family being a center of the plot. As for the plot itself, the majority of the series takes on an approach similar to a narrative. Yasaburo is the main character so naturally, we get to see his life from his point of view. The relationships he has with the other family and characters are explored throughout the series. Among one of these relationship that is most noticeable involves with Benten, a member of Friday Fellows. This relationship can be described as very peculiar as maybe on the lines of love/hate. From the surface, we can assume that Yasaburo has a crush on Benten even from the very beginning. On the other hand, Benten is a woman with a mischievous personality and hard to read. Most of the time, viewers will have a hard time figuring out what she's thinking. In one particular moment, she teases that Yasaburo will be her dinner all the while putting on a poker-like face with a noticeable 'smile'. The show explores the eccentric family so naturally, we get to see their backgrounds as well as their past stories. Some of these stories could spawn emotions especially later on when some truth is revealed regarding Yaichirou and his generation. Perhaps most importantly though is how the characters deal with revelations. Eccentric Family takes on the approach of sadness and presents in a way that seems to be more natural. It's obvious that there are moments when characters wishes something that has happened never happened. However, it's too late now to change anything. Instead, the characters moves forward and accepts the truth but with a silent tone. As with most family goes, there's also fun and comedy as well. Tomhiko Morimi's Tatemi Galaxy had plenty of comedy presented in an absurd yet very entertaining way. As for this show, it similarly has that style of comedy but presents it in a more sensational way. Yasaburo indeed has character relationships with many of the characters, some more striking than others such as Benten. On the comedy side though, Akadama is perhaps the guy that makes up one half of that duo with Yasaburo. The silliness can also be traced with the family origins in regards to their shapeshifting abilities. Yasaburo can shapeshift and takes form of a girl effectively making him a trap. But more figuratively, he likes to do so especially when visiting Akadama as a way of teasing. Speaking of Akadama, he also sometimes denies what's really there. It's silly in the way of comedy rather than being forced. There's no random scenes of awkwardness in terms of compromising positions to present its comedy. Instead, it's natural and fun. Now, that is effective comedy. If we talk about dialogues though, this show has what it takes. The dialogues in this series can be taken in as impressive in the way of its style. The words being spoken can be taken with both a sense of realism and also fantasy. It also mixes in the a sort of complexity as family origins are explored that details to their generations. As such, viewers should absorb and take these dialogues for granted as they can be important to recall later on. Finally, the dialogues has a sense of maturity to it. At times, it might come out as silly but its presentation makes it dramatic to listen to. The term 'fantasy' spells out many ideas. In recent years, anime series have taken on the fantasy to the virtual world, to ghost haunted schools, or to a dark age when Titans are the dominance of its land. However, Uchoten Kazoku takes on the fantasy theme and conveys it in a more traditional way. The tanuki is just one prominent example relating to traditional Japanese folktale based on its raccoons possessing the ability to shapeshift. In such legends, the tanuki uses such ability to cause mischief. This folktale legend can be seen as parallel to this series in the case of Yasaburo. Then, there's also Benten whose character spells out mischievous all over her face. There are also other mystical creatures such as youkai and tengu. Though the show has an impressive stance and presentation, there are sometimes I scratch my head and wondering what's really going on. The drama around the show sometimes also becomes almost overdramatic and focuses too much on Yasaburo. Additionally, there's a certain lack of diversity in terms of its mythological creatures. Along with that, some of purpose relating to the characters are also vague as a narrative often explores them in concrete details. In this case, narrative takes on a more textbook approach where we sometimes have to go deeper with what Yasaburo sees the modern world as. Finally, there's bits of fan service showing in the case of Benten as a form of tease. Heh, maybe she' just a femme fatale or something but good luck reading her. She's not a textbook with an answer key. Uchoten Kazoku is adapted from P.A. Works. As a production studio, fans should be aware of their works by now. Their most recent project, Red Data Girl also takes on some Japanese traditional themes and transformed it into anime form in modern era. As for this series, P.A. Works once again puts their talents at work. It does look a bit different though with the character designs looking more simple with nothing breathtaking. The raccoons of the show has an innocence to them while Benten is designed with a mischievous figure. Masayuki Yoshihara's direction of the series also takes on that narrative style so some characters talking might give them a more direct way of speaking; sometimes as if conveying to the audience of their feelings. The backgrounds looks interesting enough though to convey the modern setting of a Japanese folktale lore. A less noticeable factor of the series could be the soundtrack. As far as music goes, Uchoten Kazoku takes on a natural style of tone with its smooth OST. Yoshiaki Fujisawa coordinates the music and makes it calm to listen to but at the times forgotten since the dialogues and comedy dominates the music base. The OP song also presents an odd feature of an opening while the ED song ("Qué Será, Será) has a more catchy tone. But for all else being said, I give praise to Yasaburo's VA Takahiro Sakurai for voicing the main character. With over a decade of experience, we can clearly see a talent in his character as Yasaburo as whether being a guy or a girl. Additionally, Benten's VA Mamiko Noto gives her character that mischievous tone of voice. Overall, I would describe this series as fascinating in the sense of its narrative. It's not every day where we see raccoons running around in a human community. But more importantly, we can see a main character's point of view in a modern Japanese city. The dialogues spoken in this series may be difficult at times to interpret or absorb. However, make no mistake as they tie in with a lot of the themes together. As one of the underrated series, I definitely recommend giving Uchoten Kazoku a try especially if you're a fan of comedy-drama or if you've previously enjoyed The Tatemi Galaxy. It's a tale of family fun, storytelling, relationships, and brilliance.

yuridice

Uchouten Kazoku opens with Shimogamo Yasaburou, an energetically laid-back shape-shifting tanuki, giving us a quick rundown of his hometown of Kyoto. This is a city with a storied history of mostly-regular humans, proud tengu magicians, and oh, playful tanuki shape-shifters, of course and here, he tells us, there are endless quantities of amusement to be had. As the camera follows him deftly navigating the beautiful cityscape, he declares with conviction that while he is a tanuki, he's far too proud to be a mere tanuki and is instead one who passes his days admiring tengu and imitating humans. He assures us that he is sobusy that he doesn't even have time to be bored. The introduction now complete, the opening theme plays. And with that, the frenetically paced Uchouten Kazoku is now over. As if to drag the show back down to earth, his younger brother appears and bestows upon our main character that which is most dreaded by every magical shape-shifting bohemian, a responsibility—and one from his mother, no less! It quickly becomes apparent that although he neglected to make mention of this in the introduction, he is in fact the third of the four sons of a once-prestigious and close-knit family of tanuki. Although you might suspect, due to the now-conspicuous absence of this little bit of important information in his introduction or simply just due to his nature, that he is somehow resentful of this, he in fact makes no real effort to escape from these bonds. And so we have settled into the basic premise of this series. Though not without frequent bursts of excitement, this is now a much slower show and its many strengths begin to reveal themselves to the viewer. With its vivid reds and yellows that perfectly capture the fall season, saturated yet earthy greens, and fantastic nighttime blues, this show likely has the best color palette of any anime from 2013. (The doubtful are invited to consider episode 6, titled "Taking in Fall Colors," which is about just that: taking in fall colors.) Combined with the excellent way that texture is used in the visuals of this show, this makes for amazing backgrounds; as the viewer may have already noticed during the introduction, Uchouten Kazoku's Kyoto is an inspired city of lively streets, fanciful props, and amazing interiors. Also worth noting is the way that the animators expressively use the body language of the whimsically designed and deceptively minimal characters. For an obvious example of this, you could watch the way that Yasaburou moves even after taking a female form in the first episode, although it's really something that deserves your attention throughout the entire series. The strongest aspect of all, however, is the writing, and as such Uchouten Kazoku features an amazing cast of characters. While Yasaburou doesn't completely embrace his familial obligations—certainly not to the degree of the eldest Shimogamo brother—his relationships with his immediate kin are shown early on to be his most significant and enduring ties and as they should be, they are all great characters, from the eldest—the comically severe Yaichirou, to the youngest—the endearing Yashirou. But the best non-Yasaburou member of the Shimogamo family might just be the unnamed matriarch, who plays many roles over the course of the series but is always a fun character due both her quirkiness and her naturally likable demeanor. All of the main characters are given the development that they deserve, and Uchouten Kazoku deserves credit for doing so in such a way that it feels like part of a natural progression where the viewer is increasingly drawn into the lives of its characters. Although this can be mostly attributed to the thoughtful way in which the story progresses, some credit should be given to the production for the excellent way in which all of the flashback scenes were executed. Flashbacks can easily feel tacked-on and tacky, especially when silly effects, bad transitions, and other such missteps are involved, but the flashbacks in Uchouten Kazoku are not only well-integrated, but also executed to a standard that is higher than much of the rest of the show, lending them emotional impact and narrative strength. The main characters aren't the only fun and interesting ones, however, as almost any given supporting character from the scheming Ebisugawa brothers to the perpetually grumpy Akadama-sensei has the ability to steal the spotlight for entire scenes. Both the writing and the production deserve to share the credit here, as the supporting characters are not only written in a way that makes them instantly likeable, but are depicted on screen in a lively and colorful way that is on par with the main cast. (If you've been keeping count, you may have noticed that I've neglected to mention one of the four brothers. Well, he's currently a frog in a well and for the purposes of this review, there isn't too much more that I should say about that, but I suppose that it should be noted that he is both one of the funniest and most interesting characters.) Arguably even more impressive than it's cast, however, is the way that the it can effortlessly evoke meaning from absurdity. For example, I did not expect to truly feel bad for a frog in a well—that is to not just have a meaningless emotional response due to some cheap puppy-kicking, but to actually really truly feel bad for a frog in a well. Though Uchouten Kazoku presents itself as a slice of life comedy with whimsical supernatural elements, it flexes its storytelling muscles in a big way on an episode-to-episode basis, so is not only thematically rich, but crafts a meaningful emotional narrative over the course of its thirteen episodes. The key to this is perhaps the way that elements of the story are quietly and thoughtfully built up over the course of the slice of life portions of each episode, leading to catharsis much more naturally than is obvious to the viewer. I want to finish by talking about yet one more important character that I've intentionally avoided even making a passing reference to thus far, and that is the cryptically beautiful figure who is now only referred to by the name of the god Benten. Though she makes appearances as early as the very first episode—the world of Uchouten Kazoku is a small one after all—she remains an enigma for much of the series. This is largely due to the fact that as much is said about Benten by the other characters in the show than is said by Benten herself, which leads me to why I chose only now to bring her up: Benten frequently serves as the focal point of all of the strongest elements of this series. Captivatingly beautiful to almost every character in the show, the impassioned moments that she inspires are many (but not all) of the most powerful scenes of the series. But Benten isn't just your archetypal muse character who sits around looking pretty while legitimately interesting characters swarm around her and do legitimately interesting things. She herself has a hand in almost every single major plot event of the series and is furthermore the main actor in, or at least an active participant of, many of the best scenes, so while her appearances are sometimes infrequent, they are always memorable. The best aspects of Uchouten Kazoku just seem to become even more apparent whenever Benten is involved. Indeed, everything from the quality of the writing to the quiet strength of the soundtrack and the ability of P.A. Works to deliver sublime visuals seems to be on display during moments like late in episode 3 when Benten waves her fan, and as if on-command, everything immediately comes together to create one of the best scenes of the entire show. As something with no significant flaws that come to mind, I wholeheartedly recommend Uchouten Kazoku to anyone whose interest is even slightly piqued by this review. Though often restrained in its pacing and contemplative in tone, the show is much more engaging than you might think. Even if you think that you will find it difficult to appreciate the writing or the humor, P.A. Works does a great job of creating an immersive experience for the viewer with the superbly-crafted setting and soundtrack lending the series strong atmospheric qualities as well. Just watch it—I'm sure that you won't be lacking in things to appreciate.