interconnected-

All of us have seen that one series or show or book that didn't seem to know which direction in which it was going. Noragami, however, manages to pull off all of its elements perfectly without even batting an eye. Keep in mind that this is my first review so anything I’m about to say may be incredibly biased or just inexperienced as a whole. With that said, let’s begin. Story: 9/10 The story of Noragami begins with Hiyori: an average high school girl who has a fated encounter with Yato, a homeless god, but we'll get to them later. Hiyori, being the angel of a personshe is, pushes Yato out of the way of an incoming bus when he suddenly runs into traffic. This results in not only an accident and her being taken to the hospital, but from then on she gains the somewhat troublesome habit of losing her physical body and taking on a similar form, but travels around as her soul seperated from her body. Deciding she can't live on like this, she begs Yato and pays him in advance to restore her back to her original form, and thus, the two connect and Hiyori is abruptly introduced to the world outside of our reality. At least, that's what the show would have you believe from its broad overarching plot. Noragami consists of several plot lines that all mesh in beautifully with each other both in terms of pacing and execution. It wastes no time in moving the story forward, save some of Yato's comic relief and character introductions here and there. It even has some realistic darker undertones thrown in smoothly. They make sure you understand the weight of loneliness and just how invisible those who are not of the living can be, how painful it is to be forgotten and wanting to be remembered. Having read the majority of the manga so far, the anime followed it quite well, had it not been for the filler arc that took up the remaining 3-4 episodes. But for the most part, I enjoyed the story very much and hope that it will follow the manga if it were to receive a second season, which is HIGHLY FAVORABLE. Characters: 9/10 The main reason why I love the characters of Noragami is not only how diverse they all are, but it seems to have a Hiromu Arakawa feel to it; no character is used solely for fanservice or comic relief in spite of their first appearance. Every person in this series is well fleshed-out, developed, and not one-dimensional in the slightest, though that's what you may get the impression of in early episodes. Yato, our main character, is somewhat of an underdog aside from being homeless and having a strange fashion sense. He is definitely the real propeller of the show, providing us with not only mystery, insight, and of course, more comic relief than you can shake a stick at, but just such a fun time watching him in general. There wasn’t a moment I didn’t appreciate his presence on my screen. What’s not to like about a bratty, teenage looking god taking up job requests for only 5 Yen? Much about him is still to be revealed, though they’ve given us enough to go on for right now. His viewpoints on humans and life as a whole is somewhat irritating yet fascinating due to his experience of both and naturally, having lived for thousands of years as a vicious war god who has somehow faded to an insanely silly and docile version of that is still unkown. But to end his profile, Yato is a great character who differs from the typical shonen hero who still has plenty of development to go and is an amazing joy to watch at any given time. And personally, my favorite character of the series, so bias warning there. Next up is Hiyori. I definitely don’t have as much to say here, as she is a pretty bland character until she meets Yato and gets caught up in the world of gods and evil spirits. Before that she is just the average high school student who goes to school with her friends, has a loving and rich family, and is just normal overall. Her most defining trait is without a doubt, her extreme levels of kindness that most female protagonists seem to ooze with these days (hence the reason why she pushed a complete stranger out of the way of an oncoming bus because she’s a female and therefore is /just /that /nice.) But of course, she isn’t simply that customary for no given reason. Her main purpose is to serve as more of a window into the hidden reality we see that is so different from our daily lives, since she lives the everyday life that most of us do either as well or similarly to a fair extent. She reflects more of the confusion and shock the average human being would feel upon having a million revelations thrown into her face via Yato, and I suppose if you really don’t care for her she could be more of a wish-fulfillment character into an alternate universe. Unlike other leading characters, she’s determined and knows when to take the initiative when the situation is tight. But alas, she starts out as the badass female lead and then ends up getting damseled like some million-dollar-prize in the last couple episodes, which I hate with the burning passion of a million suns. But moving on. Last of the main three is Yukine, Yato’s sarcastic, stubborn fourteen-year-old Regalia who serves as his weapon for 98% of the show and also adds some more comic relief to (but mainly against) our poor underdog god. Out of those already mentioned above, he undeniably undergoes the most drastic character development in the entire show and /all of it/ is so, so, so satisfying. It surprises me how much hate he gets from the fandom, though not only is that a) more personal bias, b) not the time to bring this up in a review, and c) a time to complain about the fandom giving him crap, but I thought all of it was well justified, mainly because it is so simple to see what it is he wants, where he’s coming from, why he wants all these things that he can never have. Plus he actually acts similarly to how an actual fourteen-year-old boy with raging hormones and inner angst would. The show finally starts to get into a rhythm of a plot with his introduction, which is majorly important as well. The only complaint that I would have is that I felt that the episodes just took a /little/ too long having the buildup to his extremely Paramount conclusion, though it was so intensely satisfying in the end that I completely forgot about it. It added a sense of desperation to the entire thing, which, when I think about it, is not necessarily a bad factor now. But of course, since he is a part of this show, he is a brilliant and extremely adorable character to watch if you can understand him, which should not really be a problem at all. The rest of the supporting cast is also great, each to their own with their own stories, pasts, and different sides, but are all also incredibly fun to watch as they give the show so much colour and variety. The only reason why I wouldn’t give the character aspect a full-on 10 is because of Yato’s rather-late-introduced arch-nemesis from thousands of years ago (who just happens to be a filler character because of the unfortunately short length of this series right now) and Hiyori’s demotion of “Prize to Be Won After We Win Because we Love Her”. Animation: 8/10 I definitely don’t have any complaints here. For the most part the animation style is typical Bones fare, with the art looking approvingly alike to that of the manga’s. Each character design is bright and interesting to the eye, from Yato’s cat-like blue eyes and strange scarf to the brighter colours of the giggly Kofuku and the other personified gods. Scenery is also well done and detailed, though I wish there were more fight scenes included because this is where the animation /really/ shines through. (Yato’s Rend attack in particular, and mainly since this little cut is re-used multiple times in each episode.) Naturally there are times when the quality would dip here and there, but it does its job and doesn’t fail to please. Solid 8 here. Sound: 10/10 The soundtrack for Noragami was composed by Taku Iwasaki, the genius who had previously created OSTS for the famous Black Butler and Soul Eater, both of which were known for their very prominent themes varying from rock ballads and pop to Victorian-era themes. Most of the music is light-hearted and a bit repetitive in its loops, but it sets the mood extremely well and never feels out of place. It occasionally mixes in a few classical Japanese themes into it too, and that never feels unnatural either. The battle music is the main point in this entire OST along with a few other tracks that will make you go, “Oh, this played when ______ happened and it sounded awesome!” because honestly it is just that great. No complaints. As if it could possibly add onto the already existing 10, the voice acting of Noragami is simply SUPERB and there is no other way I can say it. The casting of the actual god Kamiya Hiroshi as Yato was an absolutely perfect choice that would be practically impossible to imitate by anyone else. I wasn’t used to hearing him play such a wide range in a single role, but I have faith in that man. I got used to it, and he was simply amazing. In fact, even if I didn’t have any interest in Noragami’s story I would still watch this anime just because this guy is present in the cast. I don’t even think I need to mention Yuki Kaji, but I will anyway just for the fact that he pulls of Yukine’s pre-teen angst and personality so intensely well that I almost burst out sobbing the second he spoke a single line. Both of them are really what pull off the characters and that goes for the rest of the cast too. Having seiyuu regulars such as Sawashiro Miyuki, Fukuyama Jun, and Daisuke Ono were all great choices as well, and again, no complaints at ALL. Don’t even talk to me about the OP and ED. Enjoyment & Final Verdict: 9/10 Now, even though I’d like to call it as such, Noragami is not perfect, as is anything else out there. But though it has its problems, I was never once bored or dissatisfied with this show to a large extent. The only thing that would make this bump up to a ten would be the confirmation of more to come. Though the anime had its happy (if not rushed) ending, there is still so much manga content to be animated, including the /incredible/ arc focusing on Bishamon, Yato’s other arch-nemesis from centuries ago, but now’s not the time to mention that. Noragami is a great blend of comedy and the supernatural, a character-driven show that really gets you to feel and has a tone that tends to capture. Beneath it all are underlying tones of darkness and grief, but still manages to put on a lighthearted tone when it needs to. But all in all, I had a great time watching the ride and grew attached to it. This anime will most definitely have a little reserved corner in my heart as one of the greatest animes of the Winter 2014 season and I’m looking forward to the possibility of a future season. And with that, I leave you. “May our fates intertwine.”

Aegair

I, like most everyone on this planet, like things. The things that I like come in many different shapes and sizes. One such thing that I like is the Winter 2014 show Noragami, a 'feels' shounen brought to you by Studio Bones, that brings together elements of shows like Soul Eater and Rurouni Kenshin to give you a 'family-centric' journey exploring what it means to be alive. Or rather I wish it did. At its best you've got tear jerking moments of mortality, family, and the struggles of existence. You have a cast of characters you care about, the voice acting encapsulating each character almost perfectly,flowing between emotions and the changing tone beautifully. At its worse you have long 'bouts of 'struggle of the week'. Slow buildup to something with mediocre story telling until the conclusion. And foreshadowing that is either so obvious it hurts, or massively fascinating and never really answered. This show's strengths are in its characters, mainly Yato - who consistently brings out the best interactions of the entire show, be it his sweetness or his harshness - and are the primary reason that I want more and more of Noragami. Don't get me wrong, the rest of the cast are all better than average. Certainly better than what I expect from a battle shounen. And when the show is being a harsh drama I am utterly entranced, fulfilled and cathartic. But. When it is not being amazing. It is mediocre beyond belief. Slow pacing, which ,whilst forwarding the overall plot, could easily have been something else more in line with the show at its best. This is further exemplified by the animation quality which just seems disappointing. The art style deserves better than what it got. The art style on its solid and certain 'Phantoms' (The primary antagonistic beings for most of the series) just ooze awesome. Others look about as cool as a blue frog can look. And whilst I couldn't call the animation terrible, for the most part it does nothing good, the creepiness is not exemplified, the sadness is not exemplified, the little details are simply absent. I'm never impressed and at my worse I'm disappointed by how often the shounen “Power up to kill shit” is copy and pasted. Sure it is cool the first couple of times, but with the amount it is reused it loses its power quickly. The soundtrack takes some interesting steps. Using more electronic and dubsteppy tracks than your standard rocky shounen. I personally found it kind of bland, but I can easily see others enjoying it far more as the tracks are not out of place and certainly match the moods of the scenes. Being unique in this regard should be applauded, but whether it really works or not is something we can question heavily. However the biggest and most substantial flaw of this show is where the overall plot goes. This is a 12 episode series that does not buckle down and focus. Most of what fascinated me in the earlier episodes was not really built upon. Instead I have a Kenshin-esque fight scene and a re-establishment of the strange 'friend-family-esque' trio, which was only broken up an episode earlier. I want more exploration of Yato and Yukine's character depth and backstory. I want my weird romance subplot between a kinda human and a deity. I want the three main plot lines to be resolved. But I don't have that. Instead I'm left here waiting and hoping for a season two that takes everything amazing about this show and continues, without the flaws of the first season. Which in itself is an issue, because the ending track is completely and utterly gorgeous. Easily amongst one of the best EDs, based on track alone, that I have had the fortune to listen to in my lifetime. But a single music track alone is not something most people will watch a show for.