TheLlama

If you suddenly gained the ability to quite literally leap through time, what would you use it for? The sheer fun of it? Getting better grades? Or something else? What if you merely wanted the present to continue; to still live out those memorable days with your friends, playing around and having fun; rejecting the future and not wanting things to change? In Toki wo Kakeru Shojo, a girl is presented with this exact possibility. She suddenly finds out that she has been granted the ability to travel through time, and uses this ability for the purposes mentioned above. At first she tries to correctall the mistakes she made that same day she got the ability; from preventing making a mess out of things in cooking class to dodging people being hurled towards her. And before soon, she tries to keep the times from changing, undoing love confessions and other events which can change her and her two friends' lives. However, everything has a consequence. Even the seemingly most insignificant and puerile of acts can have grave consequences, as such acts are often made out of ignorance or selfishness; both which are traits that rarely bring out a good result if actions are based on them. Our heroine has to learn this the hard way, as she sees how fateful her so-called insignificant acts are, and how wrong she is in her childish beliefs. What she want is merely to keep the fun times around; with her and her two beloved friends. She wants time to stop, to remain in the present. However, time is inexorable; the future is relentlessly closing in on us. And she has to learn this the hard way. But she learns. Through hardships, through death, and most important of all, through love, she learns that the future is not something to be avoided. Rather it is something to be cherished; something one should embrace. And that is the basics of the plot and characters in this story; a girl who repeatedly travels back in time to keep the times as they are, and actually learns during this process that it is better to look forward and into the future rather than intransigently dwell on the present. Her two friends aren't focused on that much, but both are portrayed beautifully when they are, both the though-shelled Chiaki and the obliging Kousuke. Accompanying the beautiful plot is a standard-fare movie animation; which means beautiful and detailed landscapes, cityscapes and backgrounds. And while character movements are fluid, the designs themselves are a bit lackluster, and should have been more detailed. The soundtrack which follows on top is equally beautiful, with serene piano tracks accompanying the at times laughter-provoking and at times melancholy story, and a somewhat expected, yet beautiful ending theme. Toki wo Kakeru Shojo is a beautiful movie, which is good for many things, but especially its underlying hints about looking towards the future and accepting that the present will change as well as the simple message that every act has a consequence; especially childish and ignorant acts at that. And even if such themes does not interest you, I think this beautiful story is well worth spending one and a half hour of your life watching.

daimira

Hands down the best movie (animated or otherwise) I've seen in at least five years. Although the character art is simple, I love it <i>because</i> it is simple and clean. The backgrounds, environment, and special effects are a different thing entirely. They are rendered in such gloriously realistic detail. The landscapes, the classrooms, the streets -- I have never seen such detail in an animated film. It makes things like Beowulf and Final Fantasy: Advent Children look really silly. The movie also has such beautiful sound. The effects are perfect and clear. This is topped off by one of the mostbeautiful soundtrack and score I've ever heard outside of...well, nothing! The music is so appropriately poignant at times that I almost cried from it, fifteen minutes into the movie. I actually knew, glowing reviews aside, fifteen minutes in, that it was going to be a wonderful film. I mean, if the music can make goosebumps rise on my arms, then it can probably save even a disaster of a film -- which this is certainly not. The ending theme is the most appropriate song ever written for any anime. Ever. Just listening to it makes me go "awwwww" and I really want to find it. I'm making it my mission. It's like a direct line to Makoto's head at the end, and made me cry all over again. I'm really not normally a sap, but I'm very sensitive to music, and this movie's music is just so awesome. Not in a grandiose and sweeping sense, but in a gentler, more subtle way. (In fact, subtle describes this whole movie: subtle but effective.) The characters are also very well-written, complemented by good voice actors. Chiaki's has a tendency to mumble so much, I can barely understand him sometimes, but it actually fits his character well. They're quite convincing as high-schoolers, though, and I love how they were all created so realistically, without following any staple formulae or types. They're all just...normal, even though two of them can do very abnormal things. Though the plot itself is very simple, the way the characters develop throughout the seemingly minor conflicts (and that big, heart-pounding one toward the end) gives the story incredible depth. And when it reached the ending, I didn't want it to end but, at the same time, I felt the ending was perfect. I'm a sucker for this type of ending: very, very hanging. Like most of the novels and movies and anime I like, the movie ends just when another story is about to start -- the rest of Konno Makoto's life. I mean, the movie is set within two or three days, I think, though with the time leaps it may feel like it takes place for a much longer period of time. Those days are when Makoto is merely poised at the threshhold: summer is drawing near, school is almost out, and they have to decide on their majors. Yet what happens in that short time is so profound that I'm sure it will affect the rest of her life. Toki wo Kakeru Shoujo also drives home a message. The line "time waits for no one" is mentioned several times during the course of the film, and by the end it makes sense why the writer chose that line. That there is no time like the present seems like such a cliche, but when we can't leap through time and change events to suit us, the present is all the time we have. We have to cherish each day as it comes and each person as they are, for how do we know that by tomorrow they won't be gone?