imjusthungry

Sarusuberi is not a film I believe anyone can enjoy, but I have no reservations about calling it a work of art. Not only is it a beautiful film overall, the experience it provides in both its characters and its setting is poignant and thought-provoking despite its straight-forwardness, something that is regrettably rare in major feature-length anime releases. Sarusuberi has neither a main conflict nor a linear narrative, instead made up of a handful of shorter stories that are loosely held together by O-Ei, the film's central character. It is difficult to asses the story's effectiveness, because there isn't really a particular "goal" that it triesto achieve, thus no tangible criteria to judge it against. I did think, however, that each section of the movie had something of interest in it, was well-paced, and never felt pointless. The format also leads to the overall tone of the completed film being very subdued, with virtually none of the melodrama one would expect out of an anime. Where the movie gets its flair from are, in my opinion, the art, as well as the masterfully done sequences of magical realism woven throughout. There aren't many, but when they do appear these sequences are breathtaking, effectively adding some variation in what could have easily become a monotonous film. Due to the lack of a real plot, it's also difficult to asses the film's characters. While there is little development for most of them (though O-Ei does receive some, subtly but powerfully so,) it can also be said that they aren't really meant to undergo much development in the first place. All I can say is that I believe the film is meant to be experienced with the characters rather than following them as they try to get from Point A to Point B, and for this purpose most of the characters are interesting and unique (though not always likeable, which in my opinion is a good thing), even though some appear only briefly. The animation, art, and sound in this film are all exceptional. Perhaps due to the presence of O-Nao, O-Ei's blind sister, this film is truly a sensory experience. So much attention is paid to the details in the scenes where she appears - everything from footsteps, the crackling of woven grass, the creaking of a great wooden bridge - that it adds a touch of realism to the animation. A number of scenes delightfully weave some of Hokusai's actual art into the visuals, creating some of the most potent scenes of the film. Edo period Japan is crafted so immersively that it would be a joy to watch the film even for just that purpose. The only thing about this movie I'm not sure that I loved was the music. The film makes use of a more traditional orchestral soundtrack, with sections using traditional Japanese music, and, strangely, in a couple of scenes, electric guitar riffs. While I understand what the film could have been going for - perhaps showing O-Ei's character at odds with the norms of her time, I found it rather jarring to hear. Not all will have the patience for or the interest in this kind of film, but I would recommend Sarusuberi to fans of historical anime, animation, and subdued slice-of-life shows of the non-moe variety. It is a beautiful, subtle, intelligent film that doesn't try too hard to be any of those three, which is what, I believe, makes it so excellent.

Dullboy

While the vast majority of people must have heard at least one time in their life about Hokusai, the famous painter, little of them know about his talented daughter, O-Ei. So, maybe now you are interested in knowing the life of this mysterious unknown woman? Maybe you want to see the movie to find the truth and discover her life from her young age to her death...well, if that's the case, you might end up to be a little disappointed by this movie ^^ . But here, I'll try to tell you why you should watch it nonetheless and what is in fact the qualities (and thelittle minor default) of this movie: See, Miss Hokusai, while being centered around the figure of O-Ei, isn't about her life, instead the movie take the gamble to opt for a slice of life aspect, developing around little separated scenes involving the little crew of marginal painter composed of Tetsuzo (more known by the name of Hokusai) the monolithic eccentric artist, and his disciples, including O-Ei. The movie also didn't chose to make the relationship daughter-father into a central aspect, and the hint about the link of the two character is discreetly spread through the movie instead. Then about those different scenes I'm talking about, they can mostly be divided into two categories: First the one including Hokusai, one of his slightly drunken disciple (provider of some of the comical aspect of the movie) and O-Ei. These moments follow the crew involved in problems and mystery that they will solve with painting. In them, some supernatural and fantastic aspect are surprisingly very present, would it be a menacing dragon lurking in the dark clouds of the sky, or the spirit of a geisha coming out of her body at night. These moments, while being creative and unexpected, are not the best in the movie, instead, the real highlight of this movie come from the second type of scene: In them, we discover O-nao, the younger sister of O-Ei, who had the misfortune to be born blind. These moments, with O-Ei walking around, "showing" O-nao the living life of the people traveling a pond, or listening to the silent in a snowy day, are very meaningful and powerful moments. In fact, those moments reveal one of the best quality of this movie: the emotion is never expressed directly in a frontal way, with heavy talk and shows of tears, but by little touch, when O-Ei warmly touched her sisters little hands or when the screen simply took the time to show us her face, slightly smiling looking at her younger sister playing in the snow, discovering the discreet wonders of everyday life. The relation between O-nao and her father, never showing up to her, is also a very impactful aspect of the movie, even if never addressed frontally. But what about the music? Well it might be the weakest point of the movie. The movie take the bet on using rock instrumental music and sound, surely to try to emphasis on the modernity and strong whiled feminism of O-Ei...and while the intention is visible, the result don't match and feel out of place. Other than that, the sound and music are quite rare and most of the time the scene will be composed of the character talking without ambient music or much sound, which accentuate the slow pacing of the movie (while it's not really a default, it should be mentioned for those reluctant to watch a movie without action like this, that they might find boring). I didn't talked much about O-Ei in herself, but even if I might have made clear that the movie is not really about developing her character or make us enter in her life completely, she stays a very refreshing and free woman, a type of character that is not that often seen in anime, and it's also one of the good points of this movie. To summarize: if you like slice of life anime, if you want to take a look and feel what life in the end of the Edo periodeperiod was like, then you should watch this movie and will surely enjoy it. Thank you for reading this review to the end.