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ACCA: 13-ku Kansatsu-ka
Rated: PG-13 - Teens 13 or older
Status: Finished Airing
Source: Manga
Score: 7.66
Rank: 1389
Popularity: 1474
ACCA—a national body of the kingdom of Dowa that provides public services to the citizens of the country—was established as part of the peace settlement between the king of Dowa and the 13 states of the country during a revolt. One hundred years later, Dowa is in a period of unprecedented peace, due in part to the ACCA system. However, rumors of a coup d'état start to surface. Jean Otus, the second-in-command of the inspection department of ACCA, is charged with inspecting all 13 state branches. What will he discover as he performs his audit? Intriguing and mysterious, ACCA: 13-ku Kansatsu-ka is a politically-themed mystery that reveals a world of diverse cultures and lifestyles, with intricate connections between its characters, as the truth of the coup d'état slowly unfolds. [Written by MAL Rewrite]
Niino
Main
Tsuda, Kenjirou
Mei
Otus, Jean
Main
Shimono, Hiro
Atri
Supporting
Satou, Megumi
Baccarat
Supporting
Biscuit
Supporting
Furukawa, Makoto
Review
T3hSource
Ever feel like you just want to slouch on your couch and savor the taste of vintage fine wine? That's what the suave, stylistic ACCA feels like. It has a very sweet, but calming taste, it's never sharp, and is striking because of it. And on top of keeping such a presentation the show offers a perspective of many cultures and how they affect society. It's a road trip in aesthetic, but extremely political in essence. If raw exposition about political power moves and stances are not to you liking, then you won't like this show. To keep perspectives as they are, it is veryimpartial to all of them, and therefore very monotone. The most emotional engagement aside from a dry coup d'État intrigue plot, is the cute little sister with little screen time. And that's fine by me! ACCA doesn't have an obvious selling point. It is what it says on the tin. Our protagonist goes to other districts to check up if they are doing everything within regulations. It's all about absorbing each district's unique flavor and atmosphere, how it has affected people's lifestyles and behaviours. How it softens them, how it hardens them with different resolves and different priorities. The coup d'État plotline is merely used as an overarching subtext to have all these pieces come together into one who at the end. And it's all done through exposition dialogue that feels as natural as it can be. Everyone is an adult who is keenly aware of their situation, as much as the viewer at least, and slowly, people start revealing their hands and desires behind the masks of courtesy. The characters are rather dry unfortunately. They are professionals and each one of them has a specific role to play. Our protagonist, Jean embodies this as well. His seemingly apathetic attitude is to give a grounding for the viewer, so we can intimately share his perspective. He doesn't offer his opinions much, he asks for them instead. Just like the viewer, he's absorbing the culture he's visiting. He doesn't want to influence it in any way. He's given a few badass points for being damn good at his job and sharp on the clues that are given to us. We know how the state of things are as he does, along with the twists and turns. Nino serves as a shadow of Jean, an old, reliable buddy he can always be comfortable with and share his worries and troubles without any reprehension. Nino also plays a big role in the story, but he's always a loyal friend to Jean first and foremost. Lotte is the cute girl that fills any scene with happiness and fluffiness. She relieves whatever tension there is from the coup d'État plot and its developments. All the other characters are very much background dressing, and they are so many. Showing the show's commitment to its own fiction, giving it a face, a grounding for us to see people as they are, not as just human resources on a paper. At worst, Jean and a few other characters are impenetrable, meaning, they don't emote, they simply fulfil their roles with little qualms or reaction. Due to that monotony of exposition dumps with small emotional subtext, it gets frustrating that there's seemingly nothing happening to anyone, no one is troubled, no one seems overly concerned to build some kind of actual tension or a motive you can get behind. And all the revelations are reserved until the latter half of the show. Presentation is what truly holds the show together. The chill atmosphere, the slender character designs animated in a softer fashion. The watercolor backgrounds giving a very surreal, yet enamouring aesthetic from the urban district to the desert district. Again, all to underline the show's confidence in its own setting and writing. The character animations give them quite a bit more life and personality than usual, everyone has a certain movement, a tell to who they are and what they represent, besides their looks, or their roles. Audio directing is on point throughout the show. Music helps set the mood of each scene and district, while the sound effects still provide for an immersive setting. The voice acting is monotone on purpose, but for once it feels like actual adults just exchanging daily words, keeping things professional, if impartial. Oh and let's not forget the smokin' OP. The ED is a good relief for a chill show that just went by with no effort, yet all the cerebral engagement of how every piece fits in the jigsaw puzzle that is the coup. At the end, ACCA is a pure cerebral experience, held by its chill attitude and suave aesthetic. It doesn't offer much in terms of emotional engagement, but it's not a bad price to pay for a show that is mentally engaging, yet weirdly comfy. It's very easy to appreciate its commitment to world building and an intrigue narrative. And I loved every second of this experience.
Sterps
ACCA was a nice change of pace from the usual. It was slow, but interesting. You can chill and watch, but if you chill too much, you might miss out on all the little details. 7/10 story: Story isn't complex or anything, but it still keeps you guessing. You at times wonder where the story is going and who to trust and who not to trust. What is this guy planning? What about that guy? As a viewer, I felt like Tony Soprano at the end of The Sopranos. Paranoid as fuck and kept yelling at the screen,"No, don't trust that guy!" and then when itturns out my guess was wrong, I'd turn to the next character and be like,"Oh, hell no! Definitely don't trust that guy!" This anime felt like something that could of happened irl and I enjoyed it. 8/10 art: The animation is pretty consistently well done. I like the character designs and etc. Nothing else to really say, but if you're not convinced, it's animated by Madhouse. 9/10 sound: There were quite a few good openings this season, but this one was just so damn catchy! The osts and everything. Even the ending song. Every sound this anime made got my ears attention. This anime had the best sound out of any anime I've heard this season. I put the volume way higher whenever I came back to this anime weekly. 6/10 character: There's quite a few characters that were interesting. Like Jean, Niino.. Actually, there's quite a lot of characters that had interesting traits. Jean's not give a fuck attitude, Niino had the is he best friend or just a job thing going on, a lot of people were schemers, and a lot of people liked bread lol. But with such a huge cast of characters and the focus always shifting to Jean, I tend to forget some characters. 7/10 enjoyment: It was slow, but the sound, guesses on what's what, relaxing type anime really made me enjoy this anime for what it was. 8/10 overall: This is the type of anime where I probably wouldn't watch again because guessing what would happen is a huge chunk of the fun, but for a first watch it was pretty damn fun.