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Nanatsu no Maken ga Shihai suru
Rated: PG-13 - Teens 13 or older
Status: Finished Airing
Source: Light novel
Score: 6.56
Rank: 6729
Popularity: 1489
Impressed by Nanao Hibiya's skill with a sword, Kimberly Magic Academy instructor Theodore McFarlane saves the samurai from certain death amid a fierce battle. With his encouragement, Nanao enrolls in the academy, where she instantly becomes a celebrity after she and four of her peers save a student from an enraged troll. Under the leadership of Oliver Horn, a young man who seems to hide a troubled past, Nanao and her newfound friends start their magical apprenticeship at Kimberly—where only four out of five students make it to graduation in one piece. It does not take long for Oliver and his friends to experience the dangers of the academy firsthand, as a near-death encounter in the labyrinth under the school leaves Nanao grappling with her bloody past. The inexperienced yet determined students must stick together if they want to have a chance to survive and uncover the mysteries that the academy holds. [Written by MAL Rewrite]
Horn, Oliver
Main
Tamaru, Atsushi
Aalto, Katie
Main
Oowada, Hitomi
Greenwood, Guy
Main
Sugawara, Shinsuke
Hibiya, Nanao
Main
Nukui, Yuka
McFarlane, Michela
Main
Yamada, Misuzu
Review
verbinflection
'Reign of the Seven Spellblades' is a fantasy action series about teenage wizards at boarding school. It has a lot of ideas and it tries to do a lot of things, many of which could have worked: after all, it's basically 'Harry Potter', only darker and more violent. Unfortunately, every part of it is rushed, forced, and underdeveloped, practically perfunctory: watching an episode feels like reading a plot synopsis. It's an awkward mess from start to finish, entertainingly bad at times, but mostly just boring. It is immediately clear that the series is drastically abbreviating its written source material, and whatever appeal the original may possess,little has survived this brutal treatment. It's like ordering a pizza and receiving a ball of dough, a slice of processed cheese, and a squashed tomato. Scenes play out as if the writer or the director were checking off plot points scribbled on a sticky note, with no added detail or depth. It's difficult to discuss 'Spellblades' without rewriting it scene by scene, because it does practically everything wrong. I will try to avoid doing that, but — well, for example, if you want to establish that a magic school is dangerous, you can introduce what we think is the protagonist of what appears to be a general fantasy action series, then subvert our expectations by having a magical plant devour him five minutes in. It's a bit more entertaining than having someone state that magic school is dangerous. A relatable protagonist is a solid foundation for a story, which is why 'Harry Potter' begins at home with Harry Potter. 'Spellblades' begins by rushing no fewer than six main characters into a fight scene. It makes the most important character less relatable by relegating much of his personality to a mysterious backstory to be revealed at some later date, which is problematic in a point-of-view character. Also, it's difficult to create a sense of mystery when the setting is so underdeveloped: we can't tell if a scene is intentionally confusing because of a mystery that hasn't been solved yet, or unintentionally confusing because the adaptation is missing some important detail. Having met on the first day of school, the main characters quickly become close friends. Anyone who ever lived in a college dorm can understand this formative experience of young adulthood and how the series has failed to capture it. I am not asking for literary realism: I am asking that they bond in a way that feels credible. Real life is often unrealistic. Real students can build a close friendship on a chance encounter in a stairwell at one in the morning, because real students are notoriously stupid. Wizarding students, on the other hand, are too busy self-seriously collecting plot points to have any formative experiences at all. I think one night of bad behaviour would go a long way toward humanizing them. Didn't Harry Potter use a cloak of invisibility to sneak his friends into bars? Let the edgy wizard boy date the goldfish-brained samurai girl. It doesn't have to be dark and mysterious: it can just be fun. As it stands, the tone is inconsistent: the series often attempts to be whimsical — easily detected in the soundtrack — but the characters, the setting, and the plot are really too dark for that. 'Harry Potter' meets the minimum threshold for whimsy because Harry Potter and friends are basically normal kids, not child soldiers; none of them has a death wish, not even Ron; and the Slytherins are bullies, not murderers. As for the violence, action scenes are fundamentally about character conflict; they are not necessarily violent. (The potato chip scene in 'Death Note' is a good example.) Violence without conflict is just spectacle: another pointless tournament arc. 'Spellblades' has plenty of violence but little conflict: many of the fight scenes serve no purpose, as the students are continually challenging one another merely to show off. The plot is practically impossible to spoil because it includes practically every fantasy trope and treats each of them with about as much detail and depth as a plot synopsis. None of its ideas are inherently bad: every good pizza begins with a ball of dough. The plot, the setting, and the characters could have worked: just rewrite every scene. Make the goldfish-brained samurai girl the protagonist: her backstory, her struggle, her growth — all of it has potential. I know you can make any story sound stupid by describing it in a stupid way, and I have tried to avoid doing that. So an elf and a troll fight bees with a werewolf: so what? 'Hamlet' had a ghost and a pirate ship, and it turned out fine. In every case, it is the execution that counts, and in this case — I mean 'Spellblades', not 'Hamlet' — the execution is perfunctory, wasting its potential. On the positive side, the series is morally inoffensive, exalting friendship, courage, traditional martial arts, and the ethical treatment of animals; in that respect, it's better than 'Black Lagoon'. I liked the kissing scene, the severed hand, and the barbecue guy. The last arc was watchable. The voice actors did the best they could with the material. All in all, 'Reign of the Seven Spellblades' is unfortunately quite bad. At times, it was entertainingly bad; looking back on the season as a whole, the edgy wizard kids, the goldfish-brained samurai, the slightly improved final arc, etc., I can even say that it was endearingly bad, so long as I do not have to rewatch any of it. I can recommend it as a case study in how not to tell a story, but I cannot recommend it as a fantasy series.
robert788
Nanatsu no Maken ga Shihai suru (2023) Overall, it is like a 7 but it has a massive issue. This isn't supposed to be the power of friendship and slice of life, it is supposed to be dark, gritty, and full of revenge. It was supposed to be deep but in the end, it is Harry Potter with more selfish characters. People hide their powers when it matters and you get a deep set of allies everywhere but they basically do nothing. One minute you get a deep backstory, see the targets, and get ready for some revenge and it was great but then suddenly itgoes back to the power of friendship and slice of life and nothing particular happens again. Even the finale builds up like it is going to be an epic battle but in the end, nothing really happens which is a real big shame. The art is average, the sound isn't bad and the characters are somewhat interesting just sort of lacking. If a season 2 came out with more of the dark stuff it hints about like it tries to in the final episode for all of a few seconds then fantastic. If not then it is just a fake story premise just like every other show in a school. 3/10 in its current state.