Sedang Memuat...
Saishuu Heiki Kanojo
Rated: R - 17+ (violence & profanity)
Status: Finished Airing
Source: Manga
Score: 7.13
Rank: 3781
Popularity: 2196
Chise is an ordinary schoolgirl: small, frail, and not particularly intelligent. Her greatest joy is her budding romance with her classmate and childhood friend, Shuuji. They both live in a small military town in Hokkaido, where high schoolers have few concerns other than who is dating whom and complaining about the steep climb up "Hell Hill" every day before school. One day, Shuuji and his friends make a trip to Sapporo to buy gifts for their girlfriends. A massive air raid on Sapporo that day kills thousands, including one of Shuuji's friends, and signals the beginning of a war. Fleeing from the carnage, Shuuji spots Chise, though now she has steel wings and a massive gun where her right arm should be. Against her will, she has been transformed into the ultimate cyborg weapon, capable of leveling entire cities. As the war rages closer and closer to their hometown, Chise and Shuuji's relationship is strained by her transformation, and they are left to wonder whether she is even still human. [Written by MAL Rewrite]
Akemi
Main
Sugimoto, Yuu
Chise
Main
Orikasa, Fumiko
Shuuji
Main
Ishimoda, Shirou
Atsushi
Supporting
Shiratori, Tetsu
Fuyumi
Supporting
Itou, Miki
Review
Venneh
Title: Saikano , short for Saishu Heiki Kanojo (My Girlfriend, The Ultimate Weapon) Manga, Movie, Anime: Saikano was originally a manga authored by Shin Takahashi, and ran in the Shogakukan publication Big Comic Spirits from May 30th, 2000 to December 25th, 2001. It totals at seven collected volumes. It has been released Stateside by Viz, and the final volume was released January 3rd, 2006. A live-action movie was released January 28th, 2006, and has yet to be licensed Stateside. I'll be covering this later in the review. The anime itself was produced by Gonzo (famous for Gankutsuou and Red Garden), and directed by Mitsuo Kase(famous for directing the first seven episodes of Mobile Suit Gundam 0083: Stardust Memory), and ran on Japanese TV from July 2nd, 2002 to September 24th, 2002. Saikano has been licensed Stateside by Viz, and the fourth and final volume was released November 9th, 2004. Story: So, there's this couple, Shuji and Chise, who've just started going out, and they're so amazingly awkward with each other, the way you first are when you're just starting to go out with someone. There's a war going on, but they're somewhere near Sapporo on Hokkaido, the northernmost island in Japan, so it doesn't really affect them, up until the day that Sapporo gets bombed. There's this gleam of light that absolutely decimates the enemy bombers, and Shuji ends up following it when it crashes and it turns out that it's Chise, who's more or less been turned into a cyborg. The rest of the series focuses on their relationship, and how Chise's being turned into a weapon affects that, juxtaposed with the war that's going on. I am going to warn you straight off the bat; this is probably one of the most depressing anime in existence. You're going to want to keep anything you can hurt yourself with far away from you as you go through the series. There is a lot of death. You get to watch Chise lose her humanity bit by bit. You get to watch Shuji utterly unable to do anything about the former. You watch them trying to keep their relationship together while all of this is happening. And it's everything that makes it depressing that makes a good story, really. To be honest, I'm not really sure what happened in the last half of the last episode. This may be just me. But it is a bit confusing that way. Art: The art style for this is a bit simpler than most of Gonzo's productions that I've seen; it seems closer to the style of a manga, in terms of the way characters are rendered. In fact, when I took a look at the manga covers the other day, it seems almost exactly the same. So that's a nice touch. Gonzo uses a lot of reds, blacks, grays and dark colors, for the war zones, and brighter colors for Hokkaido, though that ends up turning more sinister as the story goes on. Also, the CG is excellent, as expected from Gonzo. And luckily, it blends very well with the general style. Music: The OP is amazing; I didn't like the song all that much, but it grew on me, and the segment itself is black and white, with the occasional highlight of bright color, and has random bits of French text throughout. The ED is also made of awesome; didn't pay too much attention to the segment here, but the song itself is done by the same artist who did the OP (Yuria Yato), which is a rare thing in an anime, because the contrast between the two really shows her range. The background music is mostly variations on the OP and ED, but seeing as they're both so good, it's nice to hear. There's also an insert song that Shuji always hums, and when you finally hear it sung in the last few episodes, it's really a nice song, even if it ends up being a terrible thing for Chise. Seiyuu: Chise's seiyuu also was Firiel in Nishi no Yoki Majo, which was a nice touch. As ever, the seiyuu did an excellent job; no issues here. Length: Perfect, because it allows for just the right amount of depression, but stops before you actually consider killing yourself. Any more and I wouldn't have been able to take it, any less and it wouldn't have seemed right. Movie: Saikano was turned into a live-action movie in 2006 by Toei. Aki Maeda, younger sister of Ai Maeda (who was Kino's seiyuu in Kino no Tabi, which she also did the OP/ED for) and also played Noriko in the live-action adaptation of Battle Royale, was cast as Chise. I didn't like the movie as much. It was basically a digest version of the series (which was to be expected, as there was no way they could put all the material in a two-hour movie), but the thing was that some of the most emotional scenes from the anime ended up having little to no impact in the movie itself. Maybe it's because the build-up was missing; maybe it was becasue of the acting. I can't really tell you what went wrong here. And even though it went about things differently, it still had the same ending as the anime, which made even less sense, really. Overall: It's depressing as all hell, but it's good. Story: 9/10 Art: 8/10 Music: 8/10 Seiyuu: 8/10 Length: 9/10 Movie: 7/10 Overall: 49/60; 82% (B)
Splitter
Saikano has all of the best intentions for a tragic romance, and it sets its story up really well. And that, dear readers, is where all of my positive remarks end for this emotion-milker. I do not fault those of you who call this one of the most moving anime out there. Far from it, it's full of emotion. But there is such a thing as pacing and this is where the anime conks out. Saikano's story is so diligent in making sure it's viewers never forget that unspeakable tragedy is inevitably nearing, even from the very first few episodes. The world being at war andcountries falling daily, it's only a matter of time before the hellfire reaches our two young lovers. The problem is that matter of time takes forever to get here. The series does its best to retain a sense of tragedy throughout, but the results are hardly worth the excruciating wait. By the time tragedy did strike, I just didn't care anymore. This is not made any easier by the cast. The focus of the story is Chise and Shuji. Chise, being a walking weapon of mass destruction, has the weakest of personalities. Her primary habits include being slow, dull, and average except that she can sprout metal wings. This girl's positively transparent, and Shuji is not much better. His indecisive attitude only fuels the series into dragging on and on. Though he finally grows past it, it just seems futile afterward in context to what is happening in the world around him. Akemi, the only relatively interesting character in the series, is otherwise squandered as the show demands so much focus on Chise. The art is definitely the highlight of the show. It's impossibly delicate which surprises me because this is from the blatant CG glutton GONZO, yet there's practically nothing in the series that looks as such. It flows nicely and always looks beautiful. Definitely a plus. The BGM was forgettable as it was mostly renditions of the forgettable OP and ED. Not bad, but not good, and certainly not enough to warrant further attention. Overall, I feel Saikano had the potential to be great, but ended up overstaying its welcome. It's got a great start and a somewhat decent finish, but a neverending middle that sucked my emotions dry before it could make a difference. If your eyes are bottomless wells for tears, then have at it. You'll probably enjoy it a heck of a lot more than I did. Overall, Saikano gets a 6 out of 10.