CottonCandyLover

First original Gundam theatrical feature in almost two decades. The directorial talent behind Fullmetal Alchemist. The musical scoring of Kenji Kawai. The inclusion of aliens for the first time in the franchise's thirty year history. The namesake of a cultural phenomenon. To the cynical mind, Awakening of the Trailblazer could have almost instantly been dismissed as a failure due to the surrounding hype, the general attitude of indifference many fans have adopted thanks to Sunrise's shaky track record, and just the general air of disapproval by the die-hard Universal Century fans arguing that Gundam has just 'lost' its way. Which actually brings up an interesting quirkabout Gundam 00. For a series that has drawn a huge number of parallels to Gundam Wing, and even Zeta Gundam thanks to the introduction of A-Laws (a la the Titans) in the second season, it's fascinating to see the movie component of the series turn out so fresh, and so originally its own piece of work; it's especially puzzling considering this movie almost has a doomsday quality to it, and where the focus and foundation of the series seems to borrow more from the likes of Evangelion than any Gundam show, it's almost as if Mizushima grew tired of Gundam and just decided to make a science-fiction flick however he wanted it to be. Story: The real interesting bit about the story is that it completely disregards any Gundam conventions, especially the almost collective defining theme for the franchise: human vs human conflict, and its effects on both soldiers and civilians. Instead you have, for the first time ever, a human vs alien conflict; granted the aliens are conceptual, and nothing really humanoid, which is a wise choice considering a franchise so deeply rooted in traditions would have felt cheated if the aliens were anything like those found in Macross. Likewise, this movie has no masked villain, and maybe the biggest slap to the face, is the ending, which averts the big showdown between protagonist vs villain found in almost every main Gundam series and seems to be more rooted among the lines of something you would find in Evangelion, though certainly more optimistic. The whole story gets very psychological and metaphysical towards the end Concepts aside, the story itself is a bit inconsistent. The story can be easily separated into two parts: the calm and happenings before the storm, and the storm. Though as a whole, the story is wobbly because it feels like two different people directed different parts of the story. The first half of the story is character centric and surprisingly dark, in that it almost possesses an apocalyptic air to it all, and the general sense of confusion, and fear is especially well portrayed in the events, ultimately creating an atmosphere of chaos while under the supervision of a useless government that has become radically pacifist. This half of the story is really uncharacteristically edgy and dark, and it's interesting because Gundam shows aren't like this at all, it is radical, and it is refreshing from the staple Gundam formula. The second half is where this movie treads back into standard Gundam territory, there is a huge fight that literally lasts for at least 1/3 of the movie and towards the end of it all, things get Evangelion-esque psychological (a la metaphysical visions and pseudo-philosophical babbling), and the prominent (admittedly cheeky) theme that peace can only be achieved when all living things can understand each other, rears its head to solve the problem and by the end, things get a bit ... flowery (literally). It is ideological, but at the core of this radical movie, it is still a Gundam. The problem with the story is that it is a bit of a roller coaster ride in keeping a consistent atmosphere, it's all over the place in keeping the same tone. Likewise, Mizushima tries too hard to provide us differing 'perspectives' on this story with the segments including Marina, Saji, and Billy essentially doing ... nothing. Though I think that's something that should be blamed on the Anno Domini series in general and not exclusively criticism just for this movie. This story sometimes has a hard time of knowing where it's going, and the convoluted writing seems like it's almost teasing fans. Also, this story happens to have the most unnecessarily misleading subplot ever. Art and Animation: Production values are, as expected from a Gundam feature film, pretty high. The animation quality during the battle scenes are incredibly fluid, though inconsistent animation is prevalent in non-fight scenes, and the mixture of CGI and 2D animation is awkward at best. The character design is pretty consistent, some characters have had redesigns to show growth, though not too apparent. The innovator/clones concept may be looked by some as storytelling, but by others as taking a shortcut in character design (e.g. Mina and Nena similarities). Likewise, mobile suit designs are mainly rehashed or just colored with a different color palette, and the new Gundams look the same with the exception of Tieria's Raphael Gundam. The aliens (the ELS), are a mixed bag in terms of design, they're just parasitic fragments of metal, which doesn't make for the most visually appealing villain of the series. But it works because, Gundam as a series, has always had a very visual enemy to fight against (e.g. enemy mobile suits, mobile armor etc.), and having something as abstract as the ELS to fight against is both refreshing and innovative for a franchise so stubbornly rooted in its old ways. Sound: The score for this film is a bit of a disappointment, it uses the same tracks as the ones found in the first season. Though there is an Evangelion-like ominous chant track found towards the end that accommodates the scene effectively, that one effective track is boggled down by a horrible song (courtesy of UVERworld), and some very generic J-pop played during one of the battles in a misguided attempt at creating a "valiant moment", or something among those lines. It should be noted that this film actually doesn't have much background music throughout the majority of its course. Character: In many ways, Setsuna's condition is very similar to how Cloud Strife was in Advent Children. Both are lost, contemplative, and trapped in their own psych, but where Cloud fought and inexplicably, and suddenly, found a purpose. Setsuna slowly comes to the realization of his purpose, and why he is what he is. The social disconnection and isolation brought on by becoming an Innovator is a theme portrayed in Setsuna, as a character, much more effectively than the likes of Amuro Ray ever was. The emergence of Feldt as the traditional main pilot love interest is the standard Gundam trope, though Feldt is slightly more interesting because of her progression as a character throughout the series. The rest of the cast is pretty monotonous, relying on their character progression from the past seasons to establish their character, they aren't progressed mentally in the movie in any way. The lack of explanation for the emergence of Hallelujah, and the complete irrelevance of Descartes Shaman as a character makes the quality of the writing quite questionable. The main issue with characters for this movie is the size of the Gundam 00 cast, and Mizushima's inexplicable need to reintroduce every one of them (if not in a sloppily rushed way). Further adding to the problem is that these characters were never relevant, nor were they developed in any way, even in the series; so why Mizushima feels the need to include them in the movie is beyond me. Does anyone remember Klaus and Andrei? Me neither. Enjoyment: Awakening of the Trailblazer is quite a strange piece of work. On one hand, it's the most refreshing, and exciting Gundam installment in well over a decade, on the other hand, it is sloppy, it is convoluted, and it is embarrassingly idealistic. One moment it's a doomsday thriller, the next moment it's a hallucinogenic acid trip. It is real robot, it is super robot, it is psychological, it is science-fiction. Awakening of the Trailblazer is purely interesting, it's not a spectacular film, but it is very interesting, so for that factor alone, it is worth watching as a film that runs more on ideas than execution. Overall: It's important to point out that this movie is not the second coming of Char's Counterattack, nor does it traditionally define Gundam, in fact, it's not even an example of a good film. Rather, this movie is something conceptual, it has the right ideas, and the concepts are fascinating, but the convoluted writing and the inherent flaws of the series prevent this film from reaching its full potential. This movie is a raw engine running on ideas alone, with sometimes directionless execution. Though maybe one day, in retrospect, this will be a Gundam looked back on as a transitional piece into something even better. For a franchise so locked in traditions, Awakening of the Trailblazer is a flawed step into the right direction.

ZakuHead

When Gundam 00 finished its broadcast, I was quite excited to hear that there was going to be a film sequel to resolve the last part of Aeolia's plan mentioned in the TV series and that it would be the first Gundam iteration in the 30 years of its existence that would actually have aliens included in the story. A Wakening of the Trailblazer takes place 2 years after the end of season 2 where peace is slowly starting to come true with the A-Laws disbanded, but with the arrival of a bizarre alien life form called the ELS from a space ship sent to Jupiterover a hundred years ago, all hell breaks loose and Celestial Being must step in again to save humanity. Even with this basic plot, I was very excited to actually be able to see this film because I am a rather big fan of Gundam, but upon viewing it, I was both satisfied and disappointed at the same time. First the good. The animation looks very similar to the TV series(which isn't a bad thing) but it is of significantly higher quality and shows it off especially during the action sequences. Speaking of action, the movie is full of it. Almost the entire film consists of insane, fast paced mecha battles that made us watch 00 in the first place, you won't be disappointed. The opening scene of the film is hilarious and parodies the series along with making a tribute to the ever popular Gurren Lagann and somewhat referencing the battle of A Baoa Qu from the original Gundam. Also the mecha designs are still as unique as ever, I couldn't tell you how many times I geeked out whenever they started to show off the new Flag mobile suits(ie Braves). Now for the bad(and sadly there is a lot of it) The story is VERY generic and any actual plot movement is nonexistent. The only thing that really moves the film's plot is the arrival of the ELS and the constant jibber jabber that minor characters make about stopping them before they reach Earth. If there wasn't any of the fast paced fight scenes, I highly doubt anyone would have wanted to watch this film, there is no point to the story really. The ELS are fairly underwhelming as alien antagonists. Other mecha series such as Macross were able to successfully utilize aliens into the story by making them unique and interesting with a good backstory. Come on, how are 40 ft aliens who are afraid of affection and culture not interesting? Liquid metal aliens that are fleeing from their destroyed home planet simply doesn't cut it and their assimilation into vehicles on Earth are not frightening nor interesting, they're actually quite hilarious. The next major problem with the film was its handling of its characters. Several new characters are introduced to the film( ie Descartes Shaman and Meena Carmine) but add nothing to the story, it wouldn't make a difference if they didn't even appear at all. Shaman's character managed to disappoint me the most, as previews made him out to be a major character, instead he gets very little screen time and is there only to be cannonfodder. The returning characters also get very little screen time and most of their appearances are rather pointless, rendering them very one dimensional personalities. Saji and Louise were used in the TV series to show how ordinary people could get involved in conflicts that they don't think would affect them, but they don't serve any purpose in the film they're just there, much like Marina whose appearance seems even more pointless. I don't even know what their purpose was in being shown, despite the fact that they were there. These characters don't even progress any further in film or are the given any sort of epilogue at the end like in season 2, with the exception of a few characters in the last bonus scene. Besides all of my ramblings about how flawed Trailblazer is, the film is still very entertaining to watch because of its fast paced action sequences and high quality animation. You won't get much depth out of its non existent story and one dimensional characters, but if you want to watch giant robots blow the crap out of each other in fast paced battles, look no further. However, if you are somewhat of a perfectionist and wants to get the ultimate satisfaction out of watching the 00 series, ignore the film completely and just pretend the whole series concludes with season 2.