8thSin

'Kuragehime' ('Jellyfish Princess') is a modern Cinderella story featuring the unlikeliest cast of a jellyfish-otaku princess and the cross-dressing prince. The first thing I noticed about the series is the heavy influence of live-action movies. Episode titles are parody of film titles: 1. 'Sex and the City' (2008) 2. 'Sukiyaki Western Django' (2007) 3. 'Enchanted' (2007) 4. 'Eden' (2006) 5. 'Watashi wa Kai ni Naritai' (1959/2008)6. 'Night of the Living Dead' (1968) 7. 'Kinyuu Fushoku Rettou: Jubaku' (1999) 8. 'Million Dollar Baby' (2004) 9. 'Midnight Cowboy' (1969) 10. 'The Turning Point' (1977) 11. 'Field of Dreams' (1989) OP is a parody of a series of famous scenes from Hollywood and Japanese films: 1. 'Sex and the City' (2008) 2. 'Star Wars' (1977~) 3. 'Singin' in the Rain' (1952) 4. 'Mary Poppins' (1964) 5. 'Emperor of the North Pole' (1973) 6. 'Onna Tobakushi' (1967) 7. 'James Bond' (1962~) 8. 'Game of Death' (1978) 9. 'The Graduate' (1967) 10. 'Close Encounters of the Third Kind' (1977) Also, major Japanese film producers and distributors were in production committee (Fuji, Toho, and Asmik Ace actually show their real opening credits in an episode) "Josei" is a minor subcategory of "shoujo" manga and anime, targeted toward older audiences (18+). 'Kuragehime', despite being published on a josei manga magazine, lacks any mature characters or themes to really categorize it as one (and it won a manga award in shoujo rather than otona (mature/adult) category). This is clearly a shoujo anime. 'Kuragehime' is about a bunch of female otaku in Amamizukan, an apartment complex in Tokyo. These girls are severely repulsed by men and fashionable/successful people, but our heroine Tsukimi one day makes friends with fashionable cross-dresser Kuranosuke and finds out later that not only is he male, he 's also from a rich political family. The first half of the story is mostly about Kuranosuke extending his influence over "Ama~s" ("Nun~s"), the girls in Amamizukan. It should be noted that while literal meaning of "ama" is "nun", which suits their virgin and hikikomori status in their house, it is also a derogatory slang for "women" (much like how "nun" is a slang for "prostitutes" in English). These girls are basically calling themselves "bitche~s"" and "whore~s". The "Ama~s" consists of otaku girls with extremely bizarre hobbies. Tsukimi is into jellyfish, Ichimatsu Dolls for Chieko, 'Romance of Three Kingdoms' for Mayaya, and senile men for Jiji. The only ones with relatively common interests are Jyuon, the nocturnal fujoshi BL manga writer, and Bamba, as railfans existed way before the word "otaku" became a slang. Other than our heroine Tsukimi and acting-landlord Chieko, all the other "Ama~s" girls exist almost solely for comedy. The second half of the story is about saving Amamizukan from a land development project. This is mostly attempted to be done by fund raising, in which the challenge for introverted girls to go out into the world and forced to interact with people is depicted, as well as Kousuke's attempt to transform Tsukimi's introvert personality by building up her confidence. Unfortunately, "Ama~s" are almost always forced to do these things they detest, and their fear of outsiders have not eased at all, freezing up in uncomfortable situations to the very end. As expected of a shoujo anime, there is also a lot of romantic concerns for the heroine, and the typical love triangle, predicaments etc. that confuses individuals of their own feelings and prevent love confessions. The character development between Tsukimi and Kuranosuke are rather good, though they are put into one random predicament after another, and saved in the last minute by fairytale successes, whether it's extreme makeover, profitable sales, or crowd-pleasing dress designs. Kuranosuke is practically a prince who tries to save Tsukimi from isolation and turn her into a fashionable and popular chick. Of course, she turns into a gorgeous Yamato Nadeshiko simply by taking off her glasses and putting on some makeup. The story develops into a cliché Cinderella fantasy. To make it worse, everything gets solved by predictable deus ex machina in the end. Art quality for 'Kuragehime' is very high. Lots of variety with backgrounds, as the characters travel around Tokyo. I recognized almost every single location in Shibuya during the first episode, the staff completely animated real sites. Maybe because I'm way more familiar with Shibuya than Akibahara etc, but it seemed like they put far more attention into detail than the typical series. I can tell you that this is a very faithful reproduction of the city down to individual stores and signs. Other places like Amamizukan (actually a male-only lodge in West Waseda), parks, and streets seem to be modeled after real places as well. Character designs deviate from the ordinary, with memorable style and traits for most characters. None of the "Ama~s" members are beautified. Fluidity is rather good, and all the characters were drawn with extremely high consistency. The comedic special effects (petrification, shock etc) were done very well. The cast is dominated by seasoned veteran seiyuu in 30s and 40s with wide range of voices that fit characters pretty well. However, none of their voicing jobs were particularly memorable. BGM were extremely strong, wide range of instruments playing music of different style, often setting/enhancing the mood for comedy. OP as mentioned earlier, is parody of famous scenes from movies with surprisingly good flow and audio-visual synchronization. Chatmonchy is known for their distinct rock songs, and they don't disappoint with the off-beat OP song 'Kokodake no Hanashi (Just Between Us)'. As usual of their songs, there's something about it that really moves you, and it fits the series very well with its quirkiness and optimism. And who better to sing the ED than Sambomaster, who came to popularity after their song was featured as theme song for 2005 'Densha Otoko' live-action drama, which still remains to be the most watched and arguably most influential otaku story in history? Their song "Kimi no Kirei ni Kizuite Okure (Realize How Beautiful You Are)" is a poignant rock song that really captures this anime's theme, and the ED animation comes in long shot of 1 cut. Very impressive. With all its originality in premise, character setting, art style, and sounds, 'Kuragehime' still failed to separate itself from cliché shoujo story development. As per typical shoujo anime, there's a lot of inner monologue explaining characters' thoughts and emotions. While this is a typical trait of shoujo manga/anime series and theoretically improve empathy and emotional attachment, I consider this to be a very poor storytelling technique as it takes away the joy of thinking and imagining their state of mind. It gets tiresome when they explain the obvious every single time, and slows down the pace of the story. The comedy was hilarious at first, but gets repetitive after a while with identical 'Olé' cover ups, shock face, petrification, girly prime minister etc. that gets predictable and tiresome after a while. Repetition can be funny, but it needs to be executed with intelligence and variety. In addition, I found it hard to connect with the characters simply because their interests are too "maniac" (bizarre/weird), as the Japanese call it. I don't think I'll ever understand a girl's unhealthy fascination with jellyfish or creepy dolls or senile men moe... and I was completely lost when Mayaya spew out bunch of 'Romance of Three Kingdoms' references. I also had no idea why the author would portray girl otaku as nothing more than simple creepy freaks. "Ama~s" may be a group of girl otaku with uncommon interests, but they all behaved like a cookie cutter male otaku from general public's perception of otaku culture other than their androphobia, and didn't explore further into the views and motivations from girl otaku's perspective. It is still an enjoyable show, but 'Kuragehime' could've easily been so much more. However, I am very impressed at how 'noitaminA' series continue to reject the trend in the industry with uncommon premise and low on moe/ecchi. Any series aired in this time slot continues to be a must-watch for serious anime fans.

Airbent

I would like to preface this review by warning ya'll that this anime suffers from Ending in the Middle of the Manga Syndrome. If you've enjoyed an anime like Fruits Basket, Ouran Highschool Host Club, Soul Eater, Kimi Ni Todoke, etc. and felt a little uneasy by the inconclusive ending and then googled your uneasy feeling and discovered the manga is like 80 chapters ahead of where the anime left off - you're going to run into the same situation here. Clear your to-read list, because Princess Jellyfish is going to be a top-priority read for you once you're done this bite-sized series. Then again,if you're made of metal or something and you don't care about having a plot with any resolution, proceed without caution. Slice-of-Life and RomCom anime are my guilty pleasure genres. I don't always find that they have a lot of substance beyond endorsing really cute teeny-bopper supportive relationships. I've found that a lot of slice-of-life anime fall into the trap of over-emphasizing the romantic sub-plots to the extent that any other story elements are underdeveloped or just plain boring. In contrast, Princess Jellyfish, like all my favourites in the genre, brings something new and insanely interesting in all aspects of its plot. Even the shoujo elements - where one character stares bleary-eyed at the stars and contemplates feelings - aren't in your face. This might not make sense, but the plot mutes itself in such a way that all of its features shine(???) The only word I can really use to describe how well this anime shines out would be 'character'. The show literally oozes character from its every inappropriate crevice. The actual characters are unique and varied, ranging from flamboyant and confident to wacko or sweet or mature, but every single one of them is fucking hilarious. Granted, a lot of the main characters can be difficult to relate to, but they'd make for some poor outcasts if the audience were able to instantly project themselves onto their favourites. They're all likable, regardless. Even the character designs are super innovative (I hate to use that word, but it's the best I've got. Sad face), I can't gush about the designs nearly as much as I'd like: they're all so different!! And they suit each character's personality so well!! GUSH. What really caught me off guard was how mature Princess Jellyfish was, too. Like, one of the main love interests is a heterosexual drag-queen who helps build confidence in young women. *SPOILERS* There's a male character who is kind of almost date-raped by one of the female antagonists. The overarching plot focuses on the implications of changing infrastructure on the lives of a city's residents. PARENTAL LOSS. SOCIAL ANXIETIES AND SELF-CONFIDENCE IN YOUNG WOMEN. GENDER AND SEXUALITY. I have absolutely no idea how this anime can be so unassumingly smart but lighthearted. It's impressive and it makes me happy. If I were to make a complaint, it would be that the score wasn't particularly stand-out. That's it. Everything else was enjoyable and cool. If you're itching for a slice-of-life gem, this one's for you!